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Muslim immigrants, in Western countries like Britain, are confronted with the issue of islamophobia. Faced with this adversity, many migrants are compelled to forge an identity that protects them against the challenges of the host society. This article analyses how Robin Yassin Kassab’s The Road from Damascus (2008) explores the impact of Islamophobia on the identity-building process of British Muslims. Using a “close reading” method and the postcolonial theory through Homi Bhabha’s concepts of ‘hybridity’ and ‘mimicry’ beside Edward Said’s ‘Orientalism’, this study shows how islamophobia challenges the protagonists, Sami Traifi’s stable identity. This challenge leads him to reconcile with his Muslim identity on his own terms. Ultimately, the analysis reveals that Islamophobia in Britain is a catalyst that leads Muslim immigrants to reshape their identity by the integration of Islamic landmarks as Sami Traifi and Muntaz did.